Download PDF , by Quincy Jones
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, by Quincy Jones
Download PDF , by Quincy Jones
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Product details
File Size: 5631 KB
Print Length: 432 pages
Publisher: Three Rivers Press; 1st edition (April 23, 2002)
Publication Date: April 23, 2002
Sold by: Random House LLC
Language: English
ASIN: B000FC1K34
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Amazon Best Sellers Rank:
#381,685 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I bought two. One for me and one as a gift for a friend of mine who is life long friends with Quincy.We both absolutely love it. I would stay in my car when I got to destinations just to keep listening.He's got a great voice along with great stories...This is a must hear for any musician!
The autobiography of Quincy Jones is like one of his arrangements: masterful, engaging on several levels, and state-of the-art. Jones' life story seems MADE for a highly dramatic, award-winning t.v. or big screen movie -- and I dearly hope it'll be made into one. Musician. Producer. Businessman. Composer. Arranger. Determination and incredible talent skyrocketing him over big obstacles. It's fitting that Jones' biggest passion is music because this outstanding autobiography truly SINGS. From the first pages, you're thrust into the drama -- and challenge -- of Jones' life. Born into a poor family, throughout most of his life (well into his adult years) Jones struggled with how to cope-with and at times how to distance himself from a mother who suffered from severe mental illness. Music became his savior and Jones embraced it like the stable motherly love which he sought and he lacked as a child. He embraced Mother Music, letting it's beauty embrace, comfort and sustain him. There are several things that sets this book apart from other show biz bios and makes it such sheer JOY for readers of ALL ages (old fogies like me who grew up with his music as well as young folks interested in music, interested in biographies or interested in show business and the arts in general):1.PANORAMIC STYLE. There is so much in it that we can only list a little here, such as the poignant vignette of a young, arts-smitten Jones, just discovering his musical "chops" and bonding with a blind teenage musician named Ray Charles who basically mentored and inspired him; his later associations with greats such as Sammy Davis Jr, Ella Fitzgerald, Frank Sinatra, Michael Jackson and many many more. Jackson, he writes, "wanted to be the best of everything" so he "went to the top model in each (show biz) category to create an act and a persona that would be unequalled." But "somehow later on the line between the reality and the fantasy got blurred." In the end, Jones writes, Jackson became "a total sponge, a chamelon." Jackson practiced hours and hours to perfect every single move, gesture and facial expression. I am haunted by Jones' portrait of Sinatra. For all the tough-guy accounts elsewhere, Sinatra comes across as a noble and principled human being -- cooking Jones breakfast when he learned that Jones stayed up all night working; insisting that African-American musicians for his Vegas concert be allowed to play and get good rooms at a casino and telling his security to do significant bodily harm to any racists who harrassed them, even the slightest bit.2)SECOND VOICES. Not all chapters are written by Jones. He also let others write their accounts about parts of his life, and not all of this material is complimentary. This adds a documentary feel and a sense of balance that most show business autobiographies lack.3)USEFUL OBSERVATIONS. In his chapter on Michael Jackon's rise to the top of the music heap he notes that writes that he learned that "Nobody stays at the top. Nobody." Success, he writes, is "about preparation, then finding the rightopportunity" -- and that he learned that "being chronically underestimated can be a gift." Jone's autobiography takes you through the 20th century's top musical and show business eras, and gifts you an incredible cast of famous well-etched cameos. The depth, ease, and detail of this panoramic journey is paralleled only by his private trek -- from poverty to aspiration to success, all amid personal family tragedies. In the end, we see a man (and artist) who constantly survived and triumphed due to his humanity -- and his unceasing personal growth.
I ,like many of the reviewers below, am just blown away by the accomplishments of this man. His life in music spans decades and musical styles that makes him unique among American musicians. From Lionel Hampton to Frank Sinatra To Michael Jackson to a seemingly endless list of film and TV scores----Q has seen and done it all musically.The book is very well written and touchingly sentimental in his recollection of deceased family members and friends. At one point I began to wonder if Q ever met a man or a woman he didn't like. He has so much that is positive to say about almost everyone he came into contact with in what is a notoriously sleezy business that I began to wonder if he was just trying to be inoffensive. I concluded at last that this guy is just blessed with a generous heart that allows him to see the best in people. His genuine love of the music and the people who make it with him just jumps off the pages.This is an inspiring story of a man who has overcome considerable obstacles both social and physcial but has retained his essential positive energy. He is one of the all time greats.
AFTER READING THIS PHENOMINAL BOOK I HAVE JUST ONE WORD FOR IT: "DAYUM!" OF ALL THE BIOS I HAVE READ ON THE LUSHOUS HISTORY OF BLACK MUSIC LEGENDS, THIS IS THE MOST PROVOCATIVE, INFORMATIVE, EYE OPENING, REAL, EDUCATIONAL BIO'S I HAVE EVER READ. I WILL PUT THIS HIGH ON THE LIST WITH TWO OTHERS I READ, "BROTHER RAY" AND "RAGE TO SURVIVE". Q, GIVES DEEP AND GRAPHIC INSITE INTO HIS PERSONAL LIFE AS GROWING UP, TO BECOMING ONE OF THE MOST PROFOUND OF MUSIC LEGENDS IN THE INDUSTRY. I TRULY ENJOYED READING THIS BOOK AND TO ANY MUSIC ENTHUSIAST WHO LOVE TO READ ABOUT THE GREAT LEGENDS OF POPULAR MUSIC, IT'S A MUST READ. A REAL EYE OPENER. THIS BOOK DESERVES A SECOND READ WHICH I WILL DO. Q, YOU ARE THE MASTER!!!
When I was 15 I bought an album called Hip Hits. I knew nothing about Quincy Jones, except that I liked the music and this was around 1963. But, when i saw his name popping-up as a composer in such movies as The Carpetbaggers, In The Heat of the Night, did I began to learn about Quincy Jones. He was the first black musician who composed music themes, but also was music direct for the likes of Frank Sinatra, Sarah Vaughn, Dinah Washington, The Brothers Johnson, and of course, Michael Jackson.Quincy is the last of his breed and this book also gives acolades to other great musicians, who are long gone and unknown to many young music lovers. This is a good chance to get to know them.
I never wanted to buy or read it until I found it interesting. I used to HATE IT, but now I love it. I think Quincy tells it all on he grew up the most wonderful entertainers of the year. I think he could be an inspiration to me. I actually grew up with him since I listen to some albums and artists he work with in past. From Michael Jackson, Stevie Wonder, Patti Austin, James Ingram, Chaka Kahn, Donna Summer, Ray Charles, Duke Ellington, Lesley Gore, Frank Sinatra, Miles Davis, Dizzy Gillespie, Count Basie, Ella Fitzgerald, 2Pac, George Benson, Howard Hewett, Sammy Nestico, The Brothers Johnson, Luther Vandross, Sarah Vaughn, Dinah Washington, Steven Spielberg, the whole list goes on and on. Y'know Quincy Jones could be know as the pioneer of music history or else I would the most famous man in town. I think he'll be remember as a person who's trying to make live in the music world and the music business. This is definitely a book I should recommend who wants to hear more about this man and his legacy. He's actually the founder of VIBE magazine which I read all the time which is pretty amazing.
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