Rabu, 16 November 2016

Download Ebook The Diving Bell and the Butterfly: A Memoir of Life in Death

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The Diving Bell and the Butterfly: A Memoir of Life in Death

The Diving Bell and the Butterfly: A Memoir of Life in Death


The Diving Bell and the Butterfly: A Memoir of Life in Death


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The Diving Bell and the Butterfly: A Memoir of Life in Death

Amazon.com Review

We've all got our idiosyncrasies when it comes to writing--a special chair we have to sit in, a certain kind of yellow paper we absolutely must use. To create this tremendously affecting memoir, Jean-Dominique Bauby used the only tool available to him--his left eye--with which he blinked out its short chapters, letter by letter. Two years ago, Bauby, then the 43-year-old editor-in-chief of Elle France, suffered a rare stroke to the brain stem; only his left eye and brain escaped damage. Rather than accept his "locked in" situation as a kind of death, Bauby ignited a fire of the imagination under himself and lived his last days--he died two days after the French publication of this slim volume--spiritually unfettered. In these pages Bauby journeys to exotic places he has and has not been, serving himself delectable gourmet meals along the way (surprise: everything's ripe and nothing burns). In the simplest of terms he describes how it feels to see reflected in a window "the head of a man who seemed to have emerged from a vat of formaldehyde."

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From Library Journal

Two days after this remarkable book was published in France to great acclaim, its author died of heart failure. What caused such a stir was the method Bauby used to write it. For in December 1995, the 44-year-old former editor-in-chief of the French Elle magazine had suffered a severe stroke that left his body paralyzed but his mind intact, a condition known as "locked-in syndrome." Able to communicate only by blinking his left eyelid, he dictated this book letter by letter to an assistant who recited to him a special alphabet. The result is a marvelous, compelling account of Bauby's life as a "vegetable," full of humor and devoid of self-pity. Although he was trapped in the diving bell of his body, Bauby's imagination "takes flight like a butterflyy....You can wander off in space or in time, set out for Tierra del Fuego or for King Midas's court." His celebration of life against all odds is highly recommended. [Julia Tavalro, who suffers from the same condition, has also written an excellent account, Look Up for Yes, LJ 2/1/97.?Ed.]?Wilda Williams, "Library Journal.-?Wilda Williams, "Library Journal"Copyright 1997 Reed Business Information, Inc.

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Product details

Hardcover: 131 pages

Publisher: Alfred A. Knopf; 1st edition (May 13, 1997)

Language: English

ISBN-10: 0375401156

ISBN-13: 978-0375401152

Product Dimensions:

4.8 x 0.8 x 8 inches

Shipping Weight: 8 ounces

Average Customer Review:

4.5 out of 5 stars

487 customer reviews

Amazon Best Sellers Rank:

#112,694 in Books (See Top 100 in Books)

Tears rolled down my cheeks as I finished this book, but not because of the tragedy of Bauby's illness. I was filled with gratitude for the loving gift to the world that this slim book is. It is not at all what I expected after seeing Julian Schnabel's movie. Which is not to criticize the movie, but the book itself is something very different. It is a sensitive, humorous, and beautifully written reflection that conveys Bauby's appreciation for life--before his illness and even after it. His quick and nimble mind, the butterfly, roams freely, lighting on his memories, his loves, people who touched him, evoking the preciousness of experience.

A Review of: The Diving Bell and the Butterfly, by Jean-Dominique BaubyThe 8th of December 1995 began as a relatively unremarkable day for Jean-Dominique Bauby, Editor of Elle magazine in France. That evening, Jean-Dominique would endure a colossal cerebrovascular accident that would leave him with locked in syndrome, resulting in the inability to move and speak. Using a ghostwriter, Claude Mendibil, and only the blinking of his left eye, Bauby gives the reader a glimpse into his current life and thoughts as well as overlooked memories form his past. Jean-Dominique’s use of a diving bell and a butterfly encompass his take on his new life, restricted in body but free in mind to take flight to new and old places. His descriptive telling of the experiences, thoughts and memories Bauby has draws the reader in and reminds us to cherish even the most mundane of experiences. The following paragraphs will highlight some of his experiences in the chapters.Prologue: The initial introduction to Jean-Dominique’s waking life. The pain he experiences upon waking without the ability to move or sense whether he is hot or cold. It is here the reader first understands what lock in syndrome is and how while it is quite awful, he is able to escape reality by exploring in his mind and creating vivid scenes as well as re-experience memories.The Wheelchair: A number of white-coated professionals place him in a wheelchair for the first time. He still unsure exactly what his situation is and remains the same after his short lived and unceremonious wheel chair experience when he is left alone once again. This should an eye opener for all professionals that while we are busy individuals we must take time to be present with our patients.Prayer: This chapter discusses Bauby’s realization of needed to achieve smaller goals rather than grandiose plans. In his mind and prayers, he assigns each spirit a specific healing task that brings a small comfort but little reprieve. The Alphabet: Bauby uses the French alphabet ordered by frequency to communicate. He discusses the simple yet tedious way he converses with others as well as the differences in communication partners that can be both fatiguing and enjoyable.Tourists: Bauby describes the rehabilitation room, a place where individuals of various levels of ability work on their recovery. During a particular exercise, he expresses feeling like a statue in a room full of tourists, who cannot acknowledge him.Guardian Angel: Sandrine, his speech therapist and guardian angel, returned to him the ability to communicate and remain connected with others. Unfortunately, we are also told that many of his caretakers fail to use this communication mode resulting frustrating experiences.The Photo: This chapter reminisces about his last time spent with his father, one where he was the caretaker for his fail elderly father, prior to the stroke. The contrast between his positions then and now points out how fast situations can change for any one of us.Voice Offstage and My Lucky Day: Here Jean-Dominique briefly discusses his fears and discontent with medical professionals as well as his own body.Through a Glass, Darkly: It is Father’s Day, and Jean Dominique writes of the tender love of his children and they way they are have grown into personalities that are influenced by their lives.Paris: A description of his how his views and feelings towards the city of Paris, Bauby is reminded during his trips to Paris that the city has continued to bustle and time has gone on without him.The Vegetable: This chapter marks 6 months since the dramatic shift in his life; he now sends monthly letters to family and friends. He receives many in return and feels proud to be able to exert his unwillingness to be called a vegetable, if even not in his presence.Twenty to One: A now painful memory of a trip to the racetrack with an old friend, where conversation, enjoyment, food and drink resulted in the loss of opportunity to win 20:1 odds on a particular racehorse, one who’s name he struggles to remember. This chapter is full of regret of for opportunities not seized but also of opportunities he will never again experience.The Duck Hunt: The stroke left him with hearing problems that make everyday noises sometimes unbearable, in this case the incessant quacking of a nearby patient’s movement detection device. He retreats to his mind and listen to butterflies to escape the unbearable noise.Sunday: His least favourite day of the week. The hospital becomes a ghost town with only minimal staff and visitors. This day is often lonely, particularly since he is unable to adjust the television or read a book by himself.The Ladies of Hong Kong: Here he describes his mind’s travels from places he a been a number times to others like Hong Kong, where fate has always disallowed him. He also recalls a memory of a friend who was captured and held by the Hezbollah for years and ponders the fact that he now feels imprisoned much as his friend was. “A Day in the Life”: This second to last chapter is where the read will at least read about the day when his life was forever changed. His description of the day as well as the songs on the radio give the impression that he had no idea what was to come.Season of Renewal: This final chapter describes some of his progress, his joy of family time, and his acknowledgement of his new life.My only criticism is that while Jean-Dominique’s descriptions are both eloquent and vivid enough to paint a picture of his experiences, each chapter feels separate from the next, leaving the reader to try and piece together the bigger picture. This does not overly distract from the enormity of the task Bauby completed writing his memoir only blinking his left eye.Finally, any individual who works in the medical setting will find insight both into patient’s lives and how they can improve their experiences in the smallest of ways. This memoir may also benefit those who have loved ones who have experienced the devastation a stroke can cause by giving them a small glimpse into the mind of someone who is no longer able to communicate as they once were. This book also gives hope that though life may be permanently altered by terrible events, there can be renewal and new joy in the unexpected.

The Diving Bell and the Butterfly is a must read kind of book. Its author did not write it in a conventional way. Jean-Dominique Bauby, a 43 year old French man, who was the editor chief of Elle magazine in France, wrote this book with his eyelid. He suffered a stroke that caused him to lose the ability to control or move his entire body but one eye lid. His intellect was intact, and he could hear and see well. This condition is called locked-in syndrome, because the person is literally locked inside of his own body. A French phonoaudiologist taught Bauby how to "talk" using his eye lid, so he could communicate with the health team that was trying to help him. His close friends and family also learned how to understand this new way of talking. Bauby went on to dictate this book with his eyelid while one of his therapists wrote it down on paper. It is a beautiful story of how amazing the human mind is. How hard it is to have a perfect intelligent mind imprisoned in a broken body. Above all, it teaches us a lesson of how friendship and companionship are much more important than we seem to treat it. It teaches me a lot, one of the things is not taking life for granted as something like this could happen at anytime and i wouldn't know or have any plans for it. Another one is seeing the will that man takes to survive and how strong the man is to keep pushing no matter how hard things get to me it seems like an impossible task but somehow he still does it. It's a must read book, it's very uplifting to see his spirit even tho hes been through things all of us couldn't even imagine the struggles he went through.

My son started reading this to me while I was in the hospital with a massive brain hemorrhage. Mine was luckily not in the brain stem so I do not have locked-in syndrome. At any rate, it was too soon for me, too close to the uncertainty I was facing in my own life. Now, after a year and a half, I came back to it and, luckily, I was able to read it for myself and not rely on others.The book is amazing. Bauby is a much stronger and more philosophical person than I am. He has a rich internal life that he uses to sustain himself, along with vivid memories, the love of his family, his children, and his friends.The book is not a chronological telling of a story. It is a series of thoughts and events, things that stuck in his mind, things that elucidate his condition. They are often touching, frequently depressing, but always enlightening.The book is a quick read, but not a light one.

A very quick read. I read it in two days. Then, a few weeks later, I read it again. A very inspiring story. Completely engrossing. Considering Bauby’s condition, there is a surprising amount of humor in it. And, although you cannot help but feel sympathy towards him, this is not a “pity party.” It is an appreciation of life. The movie is nearly as good as the book, and is very faithful to the book. I highly recommend both.

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Selasa, 08 November 2016

Ebook Download The Origins and Evolution of Islamic Law (Themes in Islamic Law)

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The Origins and Evolution of Islamic Law (Themes in Islamic Law)

The Origins and Evolution of Islamic Law (Themes in Islamic Law)


The Origins and Evolution of Islamic Law (Themes in Islamic Law)


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The Origins and Evolution of Islamic Law (Themes in Islamic Law)

Review

"The book is an essential contribution to the field. Highly recommended. Essential for collections on Islam and the history of law." --Choice"...succinct, up-to-date, and stimulating account of the early history of Islamic law..." --Joseph E. Lowry, Department of Near Eastern Languages and Civilizations, University of Pennsylvania, International of Middle East Studies

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Book Description

Covering more than three centuries of legal history,The Origins and Evolution of Islamic Law presents an important account of how Islam developed its own law while drawing on ancient near Eastern legal cultures, Arabian customary law and quranic reform. The book explores the interplay between law and politics, explaining how the jurists and the ruling elite led a symbiotic existence and mutual dependency that--seemingly paradoxically --allowed Islamic law and its application to be uniquely independent of the 'state'. This book will appeal to students, lawyers and legal historians.

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Product details

Series: Themes in Islamic Law (Book 1)

Paperback: 250 pages

Publisher: Cambridge University Press (February 21, 2005)

Language: English

ISBN-10: 0521005809

ISBN-13: 978-0521005807

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#1,228,690 in Books (See Top 100 in Books)

Current events but also pure curiosity motivate many to seek out a better understanding of Islamic culture, especially as regards to its legal structure. This book is a good start, especially to those who have studied the religious aspects of Islamic culture, but need a more in-depth understanding of how the Islamic religion has influenced legal reasoning. It is of course difficult to assess the accuracy of the book if one is not an expert on Islamic law. This reviewer is not such an expert, but found the book very readable and gained much insight into the intricacies behind Islamic legal thought. Islamic culture had a great influence on Western scientific progress, and so an interesting question is to the degree that its legal structure encouraged this influence. This book does not address this question, but its contents could be helpful in studying this influence. The book could also assist in answering the question of whether Islamic law requires stricter adherence to its precepts than American or British law. Does Islamic law require dogmatic adherence to legal precepts or can its interpretation be flexible or allow rapid changes?The author concentrates on what he calls the "formative" period of Islamic law, which he defines as the historical period where the legal system began to the point in time where the features of this system can be clearly identified. The "shape" of Islamic law, i.e. those attributes deemed essential to its identification, are determined according to the author by the presence of a complete judiciary, complete elaboration of positive legal doctrine and methodology, and the full emergence of doctrinal legal schools. Interestingly, he holds that the religious character of the law is also an essential attribute, but it must be derived from these four attributes. This implies that the Islamic religion, whether Quranic or otherwise, is not viewed as the underlying foundation of Islamic legal reasoning. There is no doubt though that the author believes that the new Islamic religion of the seventh century "generated" the legal system of today. The author's thesis is an interesting one but also difficult to justify since one must be able to disentangle the influence of other religious systems from the Islamic one.There are many surprises in the book for those just beginning their study of Islamic culture, law, and science: 1. A time period called `Haram', which was established by the Quraysh, a tribal confederation in pre-Islamic Mecca, wherein no violence was permitted. 2. Shedding light on the historical influences on Muhammad, he apparently followed to a large extent the teachings of Zayd b. `Amr, and was thus a "Hanif", i.e. a follower of the (monotheistic) religion of Hanifiyya. 3. The Quran holds that all property acquired by women during marriage are theirs exclusively. This is at odds with the common Western view of the Islamic religion that women are subjugated (but on the other hand one may argue that Quranic passages such as this one may be completed ignored by current practitioners of Islam). 4. The meaning of the word `sunan' and its ancient (pre-Islamic origins). 5. Contradictions in Quranic texts were resolved by a `theory of abrogation'. A natural question to ask here is whether this theory was in any way influenced by Greek logic. 6. The Islamic concept of "rationalism" and its antipathy to the "hadith". 7. The assertion that sunnaic practice is infallible, this infallibility arising from a consensus of jurists and not from the opinion (or "ra'y") of an individual jurist. This is to be contrasted to the practice in Western legal reasoning, wherein fallibility is considered normal and legal reasoning is considered to a large extent "defeasible." The author though discusses the `three categories of argument' that are present in Islamic legal reasoning: expert judgment, systematic reasoning on the basis of revealed texts (with a form of analogical reasoning called `qiyas') and the `istihan' which might be described rather loosely as a "commonsense" form of logical inference that yields "reasonable" results. In the same context as this discussion, Islamic law apparently had its own conflict between the "rationalists" (ahl al-ra'y) and the traditionalists (ahl al-hadith). 8. The real meaning behind the term `fatwah', this word having definitely been distorted by the Western press. 9. The concept of the `madhbab', illustrating the importance of doctrinal conformity in Islamic legal reasoning. The author argues, interestingly, that the madhbab were unique to Islamic civilization, not being influenced by any outside ideas. The author's discussion on the madhbab leads into one concerning the `imam', who in Islamic law was the only one permitted to interpret revealed texts. The imam, the author explains, arose from a process of "authority construction." All of this discussion sheds considerable light on the degree to which absolute legal authority is placed in one individual in Islamic law. 10. Most surprising of all, is that legal authority in Islamic law is considered to be solely epistemic, never residing in the state, a view which is certainly at odds with what is reported in the Western press.

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Wael Hallaq prior to this Islamic legal history had written 'a history of Islamic legal *theories*'. That book had a (very) short introductory chapter: which went into the origins of the actual *law*, before the lawyers thought to make a theory of it. Here, Hallaq expands that chapter into a book in its own right.In this book's introduction, the author writes about the modern 'state of scholarship': 'to date, there has not been a single volume published that offers a history of Islamic law during the first three or four centuries of its life. At least three works have thus far appeared bearing titles that contain the designation "Origins," in one way or another associated in these same titles with "Islamic law" or "Islamic jurisprudence." None, however, can boast content that truly reflects what is implied'. Leaving aside why that embarrassment has come to pass, Hallaq is exactly right that it has been an embarrassment.I haven't studied far into the Abbasid era, at least not so far as the other reviewers here have studied. So I will aim my review of *this* book at its first few chapters, which mainly handle the Umayyads.These chapters rely upon the Tabaqat and Akhbar literature concerning judges: mainly by Waki` and Kindi; with some Ibn Hibban, Shirazi, Ibn Khallikan and others. Thence, Hallaq deduces that early Islamic law was an ad-hoc affair, growing out of Arab sharifian hukm - that is, wise elders mediating disputes between Arabs. The Qur'an was not much adhered to, let alone the Hadith; some judges could not even read. Later, the Muslims figured out that they were believers in a new world religion and, so, they professionalised the legal field. The book does well at organising this material and making it readable.Hallaq is however naive about the state of Islamic literature in the first centuries AH. First off, he accepts the Muslims' account of Muhammad and the Qur'an (pp. 19-23). I can skip those (thankfully few) pages and put up with the rest, given that most of this book concerns the mid 40s / 660s and beyond. More serious is his acceptance of pseudo-Hasan's Qadarist letter. The arguments for that letter were debunked in Michael Cook's 'Early Muslim Dogma' - back in 1981. In addition, whilst Hallaq was writing this book, Suleiman Mourad was writing his own book which debunked the letter entirely. (Does Cambridge not have email?)The index has missed some references. Sa`id b Jubayr is noted only for p. 65; the index needs to link to 60-1. Speaking of page 61, Said is there given as scribe to `Abd Allâh b. `Utba in '95 / 713'. This year was when Sa`id was *executed* - anyway "`Abd Allâh" is itself a mistake, since it should be `Ubayd Allâh b. `Abd Allâh b. `Utba. I wonder if this portion of the book was penciled in during the proof process. Elsewhere in the book, one finds an 'Abû Ayyûb' al-Sakhtiyani who needs to be just plain Ayyûb. It made me worry about what might be lurking in the second half (which as I've said, I have to take his word for).Now, besides the naivete, I was impressed with the author's *knowledge*. It is extremely unlikely that Hallaq does not know of what I'd noted in the preceding para. It is more probable that they were simple typo's. My ire goes more to the editorial staff at Cambridge; it appears that they lack a grounding in the 'rijal'.Overall, I shouldn't let these problems bug me. This is a solid explanation of these critical centuries. Recommended.

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Jumat, 04 November 2016

Free Download Connections in Death: An Eve Dallas Novel (In Death, Book 48), by J.D. Robb

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Connections in Death: An Eve Dallas Novel (In Death, Book 48), by J.D. Robb


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Connections in Death: An Eve Dallas Novel (In Death, Book 48), by J.D. Robb

About the Author

J.D. ROBB is the pseudonym for #1 New York Times bestselling author Nora Roberts. She is the author of over 200 novels, including the futuristic suspense In Death series. There are more than 500 million copies of her books in print.

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Product details

Series: In Death (Book 48)

Audio CD

Publisher: Macmillan Audio; Unabridged edition (February 5, 2019)

Language: English

ISBN-10: 1250318114

ISBN-13: 978-1250318114

Product Dimensions:

5.8 x 1.2 x 7.6 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

615 customer reviews

Amazon Best Sellers Rank:

#30,575 in Books (See Top 100 in Books)

Sometimes a writer conceives of a brilliant trilogy. Then, that trilogy proves so popular that it becomes an industry. Walt Longmire by Craig Johnson was one. Another was Coyote by Allen Steele, a science fiction series that spawned other stories that were, essentially, spin-offs. Few such continuing dramas have experienced the adulation of J. D. Robb’s police procedural featuring Eve Dallas.If you’re new to the series, you might want to read “Naked In Death” first. At just $2.99, it actually serves as an inexpensive introduction. Of course, if you wish, you certainly can read “Connections in Death” first, since the novels are stand-alone and don’t have cliffhanger endings.POV: Third person.BLUSH FACTOR: Definitely not a candidate for your prayer group or for your youngsters. If the eff word bothers you, try cozy mysteries.WRITING & EDITING: Solid and professional. The ensemble cast of supporting characters is probably Robb’s secret ingredient to retaining reader interest.BOTTOM LINEFour stars out of five.I am striving to produce reviews that help you find books that you want, or avoid books that you wish to avoid. With your help, my improvement will help improve book reviews on Amazon. Together, you and I can build a great customer review process that helps everybody. Will you join me? It is people such as you who have helped me improve over the years. I'm still learning, and I have a great deal yet to learn. With your help, I'll improve every day.One request: Be respectful and courteous in your comments and emails to me. I will do likewise with you.Thank you so much for indicating if this review helped you, or for your comment indicating if this review helped you, or for your comment.

I am a third of the way through J.D. Robb’s newest book and am disappointed. I have read the entire series more than once and this one doesn’t feel as if it was written by Robb. Very stilted and way too much narrative. I will make myself finish and may have a better opinion once done. If so, I will update my review.

I am starting to wonder if these books are actually being written by Nora Roberts or if only some of them are. This is another so-so book. It seems like the character development is not really there. This is disappointing has her last book was excellent and I thought she was coming back. I have all the books for the "In Death" series and have read several of them over multiple times and you can see the decline in character development. I think I will go back to getting them from my local library before making purchase for my collection.

This is not a book. If the reader is feeling generous it's a short story and not a very good one. The reader is actually purchasing the outline for what might have been a decent book. However, what got downloaded was a high school English lit paper that when graded would probably gotten a "D" at best. Did someone miss the Avengers Civil War? "Language". Really? Can't come up with anything original. Pathetic! Congratulations to Agent Teasdale on changing agencies. Homeland to FBI but don't dwell on it I'm sure in the next installment she will be with the NSA and old Robb couldn't actually be bothered to flesh out the character anyway. Like the author Teasdale wasn't really there.

I have to go with most reviews. Did JD Robb aka Nora Roberts really write this? It is as if her attention or mine just isn't into it anymore. I have loved JD Robb from beginning but I do feel as if her mind is more on her newest Nora Roberts novels than Eve Dallas. This last was so bland and just not interesting.

This book is boring. I'm tempted to skip to the last two chapters to find out whodunit. Since publishing her first book in 1981 Nora Roberts has written at least 225 novels. That's an average of about five books per year. Makes me wonder if she actually wrote all of them. Some are very good. "Northern Lights", "Tribute", "High Noon", "The Liar", and "The Search" are among my favorites.

I have been a fan of JD Robb/Nora Roberts since the very beginning with her Naked in Death book. And honestly, I wonder how another book in the series (48 and counting now), can still be fun and interesting to read. But here I am, just finished reading Connections In Death and I am a happy camper.It's a joy to see how these characters, whom I have come to love and respect, continue to grow and develop. I have always been a fan of Eve and Roarke and the love, respect and dynamic between them. You would think it can get old or corny, but it simply doesn't...in fact it keeps getting better. Their relationship, with each other and with their circle, deepens and matures with every telling. It is such a treat to read and be witness of it in some way.With Connections, I really liked just how the story unfolded. It was not so much the mystery but the process of solving it - the teamwork involved, and the grit that comes from doing the job. A bonus is in reading about how the family (which is how I see Eve, Roarke and their friends) pulls for one another; how characters from different books make a significant appearance and the way they all work together to help bring justice. It makes me wish that cops here and everywhere have that same dedication and love of service.All in all, I'm thrilled to still be feeling so engaged and riveted with this series. It is a testament to Ms. Roberts' (all hail the undisputed queen!) talent, dedication, creativity, commitment and hard work. She is an inspiration. What an amazing and great series...and this booking particular? It's definitely a wonderful addition. Bravo and cheers to many more!

I'm not quite sure how to rate this book. The story was great. But there wasn't any heat. No fire inside Eve,no urgency about finding killers. And with Eve being emotionally absent, there was nothing there for the others to play off of. Bring the real Eve back.

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